The rail industry money-go-round. What are the consequences on service and investment? How does it work?
In the
UK▸ we are told that the farebox accounts for two thirds of the rail industry income, and that it's a far higher proportion in the UK than in our neighbours on mainland Europe. Which is said to be why our fares are said to be "so much higher". But how does that money from the farebox get passed through the system - how is it controlled and spent?

When trains were operated under a
franchise model (No. 1 on my diagram, dashed blue lines), the money collected from the farebox went to the train operating company - subsidiaries of First, Stagecoach, Arriva, and others and was onward spend, subject to franchise terms, as they wished. Some elements of those franchise terms were restrictive, mind.
As things moved from franchise to
management contract, and as the shock of covid decimated the farebox, farebox money was all passed after collection to The Treasury (no. 2 on my diagram, green lines). As I understand it, payment from The Treasury to the Department for Transport to run the railways was fiscally controlled / budgeted and didn't take account of the Farebox income, resulting in the contracts being such that innovative investment ideas were squashed, even if there was every likelihood that spending a pound would bring an extra ten pounds of revenue
We have now moved - again as I understand it, to the income from the farebox going to the Department for Transport (no. 3 on my diagram, the red line) which now allows for the consideration within that department of the effect on income of what they spend - so it's balance sheet sensitive and not just cost sensitive. Should the
DfT» wish to spend a pound to get ten more in income, it can now do so without having to go to The Treasury to ask.
The black lines on my diagram show various key bits of the money-go-round - some of them may not be huge sums in the overall picture, but never the less they represent the major funding flows for the organisations shown.
I worry that - as shown on my diagram, key funding to Network Rail, the Train Operating companies (including the operator of last resort), Passenger Focus, the Office of Road and Rail, and the Community Rail Network ... and also to a myriad of others such as fledgling
GBR▸ ,
RAIB▸ ,
RSSB▸ , National Rail and the Railway Ombudsman are all controlled by that single organisation diretly. Indirectly (?) they also hold purse strings / financial control over the RoSCos, Staff costs (salaries), Rail Delivery Group and these days over Community Rail Partneships.
What is ... missing ... from the diagram is an indication of any truly
independent co-ordinators of
customer and market (potential customer) input. And at a time when there's re-organisation and replanning underway, all the various current organisations funded via the DfT and also the individual employees in them will be concerned as to their own future. Naturally so, but perhaps to the exclusion for practical purposes of the interests of the customer / passenger. Is there a risky concentration of power - both judge and jury if you like to call it that - in the Department for Transport?
What organisations do we have left over which are not in the DfT funding tree, that can take a view that's not subject to taint by being on that tree? Well - there’s Railfuture. The Campaign for Better Transport. Our members of parliament. Our local community user groups though these can apply through
CCIF▸ and where they are station friends groups for the King's Shilling.
I am ... heartened ... in the knowledge that there are so many excellent people working in the organisations I have listed in this article, and that the vast majority of them appreciate the need for a public transport sector that's financially aware, safe, and provides transport with both the environment, and quality of life to the forefront. I just hope and 'pray' that the powers that be set things up for the future to meet those needs / desires, and that in the immediacy of the next year or two they remain at the forefront, being developed, and not swept up nor abandoned for the moment in the rush to look good and have a place in the new setup.